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Days of Joy

Terumah sigart by Laya Crust

Parsha- Terumah (Exodus 25:1 – 27:19)

Haftarah-  Kings I,  5:26-6:13

This year the month of Adar began on the evening of February 9, 2016. And, we don’t have one Adar, but 2 months of Adar. Yes- it’s a Jewish leap year, a year when we add another month so that our lunar calendar lines up, more or less, with the solar calendar. It’s an interesting topic and you can read about it at  Months of the Jewish Year – My Jewish Learning  or for a more mind boggling explanation you can go to Leap years , an article from wikipedia.

Terumah might just be a perfect reading for the beginning of Adar. The parsha deals with the instructions Gd gives for building a holy sanctuary. The haftarah parallels this with a description of the work King Solomon instituted for building the Beit haMikdash, the Temple in Jerusalem.

At the beginning of the parsha Gd says, “Tell the Israelite people to bring Me contributions; you shall accept contributions for Me from every person whose heart so moves him.”  (25:2) The gifts Gd is referring to are precious building materials for the sanctuary .

The wording is precise, “אשר ידבנו ולבּו”.  Those with a willing heart” are invited to contribute to the building of this important sanctuary.  The building materials are given with generosity and joy. Resentment won’t taint the sanctuary of prayer and guidance. The idea of giving with generosity and joy rather than giving through coercion or compulsion (like many taxes and levies) fits nicely with the joy of Adar.

Adar is called the month of joy, and so having 2 Adars means we get to celebrate 60 days of joy. What could be better? My friend Esther Gur gave a talk in which she discussed the meaning of “simcha” (joy or happiness) in the month of Adar. My interpretation of what she said is that joy or happiness is not the simplicity of laughing at jokes. It’s not the fleeting pleasure of drinking a good glass of wine; or buying a new book, piece of clothing or electronic device.  “Simcha” is related to fulfillment. When we create something beautiful or do something good- doing it from a place of generosity not from a feeling of duty- we feel “simcha” or heartfelt joy.

In these two months of Adar I hope you give yourself the opportunity to do things you really love and give you great satisfaction. Enjoy and HAPPY ADAR!

Have a Shabbat Shalom

Laya

P.S. The painting at the top is based on a ketubah from 1853 Istanbul, Turkey. It shows boats floating on the Bosphorous River. I f you want to enlarge the image at the top or the ketubah below you can click on them.

istanbul ketubah02

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Terumah

Terumah sig

Kings I,  5:26-6:13

King Solomon –  Succeeded David as King in the year  967 B.C.E.

King Solomon ruled for 40 years. He was known for his wisdom, his wealth and his writings. The haftarah and Torah portion both discuss the construction of HaShem’s “home”. In parshat Terumah G-d tells Moses that the children of Israel should make G-d a sanctuary (called a mishkan in Hebrew). Beautifully, G-d includes EVERYONE who wants to be included the project. He says to accept contributions from everyone who has a willing heart.

This announcement is followed by a list of materials that are needed to build the mishkan. It is quite an undertaking to build a portable sanctuary in the desert, but the plans are dictated and this how it may have looked. 

The haftarah is about the construction of King Solomon’s  most famous achievement – building the Holy Temple in Jerusalem.

The construction of the Temple under King Solomon’s reign began around 958 B.C.E. The trees (cedars and cypress) and stones were imported from Lebanon. I began to imagine how the materials were transported from Lebanon southward to Jerusalem- over mounatins, through forests, all uncultivated terrain. The idea is daunting. There were huge numbers of men involved in the production. Thirty thousand men went to Lebanon in shifts of 10,000 men, one month at a time. Seventy thousand men carried the loads. Eighty thousand men quarried the mountains. 3,300 men were appointed as overseers. It made me think of the building of the national railway in Canada!

The haftarah doesn’t describe how the stones and lumber were carried to Jerusalem. I thought about the technology of the time. Would the material be carried on ox carts? On flatbeds with wheels? With a pulley system? It seemed impossible. Then I realized- these large, heavy materials were probably transported on the Mediterranean Sea down the coast to the nearest port, and then overland to Jerusalem. The logs could have been floated down and the quarried stone could have been taken by ship or rafts. I immediately remembered a beautiful ketubah- a favourite design of mine- from 1853 Istanbul, Turkey. istanbul ketubah02It shows two large, beautiful trees on the banks of the Bosphorous River with boats sailing in the water.

This image seemed perfect for the haftarah with its abundance of trees, elaborate structures and many side chambers extending from the central building. And the flowers and the leaves!  We see the vivid florals and fruits within the foliage. (We know that there were pomegranates and lilies on the columns in the Temple.)

This ketubah, unlike many other historical  ketuboth, is painted on paper rather than parchment. The artist used watercolour and gold leaf on the artwork. The profusion of foliage is typical of ketuboth from Turkey and other Muslim countries. The leaves and flowers are painted very closely together and the dark green  of the leaves creates a wonderful undulating movement in the decoration. As is typical of these ketuboth the text is written in tiny cursive lettering centered within the arched opening allocated for lettering.

All that building and transportation mentioned in the haftarah text resulted in a beautiful structure. Unlike the mishkan which was dictated by G-d, the Temple was designed by people.

Quite an amazing feat for thousands of years ago. We don’t have the beauty of the Temple today, and we pray for its return. In the meantime haShem has blessed artists and artisans with the ability to create beautiful objects with which to enhance our daily lives and our special occasions. And thus- the beautiful ketubah from 1853 Istanbul.
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