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Hanukkah, oh Hanukkah!

Shabbat Hanukkah   by  Laya Crust

This painting is from my newly published book “ILLUMINATIONS, An Exploration of Haftarah through Art and History.” The book was released last month- in November 2022. This painting is based on an exquisite manuscript illumination painted in northern France, around 1278. It shows the High Priest pouring consecrated olive oil into the Temple Menorah.

This year the 25th of Kislev (the first night of Hanukkah) fell on December 18. Read on for some interesting Hanukkah information.

The story of Hanukkah began in 168 BCE when the Syrian-Greeks, under Antiochus Epiphanes, desecrated the Holy Temple in Jerusalem. The Jews of Modi’in rebelled. Under the leadership of Matityahu the High Priest and his five sons, a group of Jewish rebels, called the Maccabees, hid in the mountains and fought the Greeks. The Maccabees retook the Temple in Jerusalem, purified it and made new holy objects such as the menorah, a new altar, and other holy vessels.  Matityahu proclaimed the 25th of Kislev (the third anniversary of Antiochus’s anti-Jewish proclamations) as the first day of Hanukkah.

The word Hanukkah means “Dedication,” and this is the holiday of the rededication of the  Temple. Josephus actually called the holiday “Urim” (which means”Lights”) so that may be why it is also called “The Holiday of Lights.”

Why do we light 8 candles- plus an extra, the “shamash”?  There have been various opinions on how many candles to light. The early writings didn’t even mention the kindling of lights on Hanukkah. It is first mentioned around 200 CE in a “baraita” (oral opinion from the Mishnaic period). One opinion was that only one flame should be lit each night. Another opinion was that one light for each person should be lit each night. The more zealous, it said, could light an additional candle for each of the eight days.

Hanukkah

Hanukkah (Photo credit: Cayusa)

We base our tradition on the “Beit Hillel” school of thought. Whereas “Beit Shammai” suggested starting Hanukkah with 8 candles and reducing that by one each night, Hillel preferred the idea of adding a candle each night.

Why the shamash? We aren’t supposed to use our Hanukkah candles and their flames for practical purposes. We are only to gaze at their light and enjoy them. So, we use a “worker candle” (shamash) to light the others. The “worker” candle is set at a different height so it won’t be confused with the actual Hanukkah lights.

The popular reason given for the 8-day length of Hanukkah is the story of the miracle of the oil.  This is a story found in another “baraita.” According to this story, the Maccabbees went into the Temple and found only one cruse of purified oil acceptable for use in the menorah. The cruse was lit and miraculously burned for 8 days until more pure oil could be obtained. That miraculous little cruse of oil inspired the wonderful fried Hanukkah- potato latkes, sufganiot (jelly donuts) and bimuelos or loukoumades which are Sepharadi delicacies- deep fried puffs in honey.      

The halachah tells us to light our hanukkiot in the street. Most of us in North America light our candles in a window facing the street. In Israel there are special glass boxes – almost like a closed aquarium – so people can light their candles in the street and they won’t be extinguished by the wind.

“Dreidel” is the traditional Hanukkah game.  A dreidel is a four-sided “top.” Dreidel is its Yiddish name, and Sivivon is its Hebrew name. There are different stories about the history of the game. A popular story is that the game dates back to the time of the Maccabees. While they were hiding from the Greeks in caves the children would play with the dreidels to alleviate their boredom. Another theory was that since the study of Torah was forbidden, the Jews would take out their dreidels if they heard the soldiers coming to hide the fact they were learning Torah.

Another idea is that Hanukkah was a holiday of joy. Parents relaxed the rules and let their children play dreidel although it had a gambling component.  But where is the dreidel itself from? A game called “teetotum” was played in England and Ireland in the early 1500’s. The “teetotum” had letters or numbers on the sides representing what was being gambled. Some of the teetotums had letters written on them with  H for take half, T for take all,  P for put in and N for nothing. It sounds quite familiar. For more thoughts on the symbolism and possible history of the dreidel you can go to http://ohr.edu/1309

 

We haven’t explored the story of Judith, but that will be for another time. Whichever way you decide to celebrate, and whatever history story you decide to tell, enjoy your Hanukkah and don’t eat too many bimuelos!

Have a wonderful Hanukkah and a joyful Shabbat Shalom, Laya

About the Book!!

I’m excited to introduce you to the newest member of my family. ILLUMINATIONS, An Exploration of Haftarah through Art and History is a book of all the haftarah pictures you have seen in my blog. It was published in October and released on November 24, 2022. It boasts 82 full-colour pictures and a rich commentary that accompanies each painting. For more information or to order a book go to https://www.haftarah-illuminations.com/ or to haftarah-illuminations.com

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Pikudei-Sacred Vessels

This week’s haftarah describes how King Solomon brought the Ark of the Covenant to the Temple in Jerusalem. The parashah describes the crafting of items for the Tabernacle. It also describes the clothing that was sewn and woven for the priests.

Bezalel was the chief architect and designer, “and [he was] filled … with the spirit of God, in wisdom, and in understanding and in all manner of workmanship, to contrive works of art…” (Exodus 30: 3). All the Israelites were invited to participate in building the Mishkan, the Tabernacle. The only proviso was that they had to be “wise” or “willing hearted”. Those trusted with creating the holy space needed spiritual depth and understanding beyond the average individual.

Sacred Vessels by Laya Crust

This illustration is based on a manuscript painting from 1299, Perpignan, Aragon. Solomon ben Raphel created the illumination featuring sanctuary vessels. The first painted panel features the twelve shew breads prepared weekly in the Tabernacle and later in the Temple. In the central panel are two gold cherubim protecting the two tablets with the ten commandments, a staff, a jar with manna, and Aaron’s flowering staff. The third panel shows a lit menorah and tools for handling the ashes.

God understands the importance of beauty in life. In the midst of the wide expanse of desert and rugged mountains, HeĀ gave detailed instructions to create a place of beauty where people could focus their thoughts and prayers. True beauty has a foundation of wisdom and goodness. To that end, Bezalel and his assistant Aholiav were imbued with wisdom and understanding.

As we go forward in life let’s remember to be wise-hearted and introduce integrity and beauty in order to elevate our lives and battle the sorrows and tragedies around us.

Laya

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A Giving Heart

Tzedakah by Laya Crust

This Shabbat is the Shabbat preceding the first day of Adar II and is called “Shabbat Shekalim.” A section from Ki Tissa is added to the regular Torah reading. The reading describes how the Israelites were required to contribute. “….This is what everyone who is entered in the records shall pay: a half-shekel by the sanctuary weight—twenty gerahs to the shekel—a half-shekel as an offering to ‘יה… You shall take the expiation money from the Israelites and assign it to the service of the Tent of Meeting; it shall serve the Israelites as a reminder before ‘ה as expiation for your persons…” (Exodus 30:11-16) We also read a special haftarah.

King Jehoash reigned in Jerusalem from 896-736 BCE. The haftarah describes how he directs the priests to collect donations for repairs to the Temple. The priest Jehoiada crafts a “tzedaka” box by boring a hole into a wooden chest. The Jews can put their “shekels” into the boxes when they go to pray. This event from almost 3,000 years ago is the template for charity boxes used throughout history.

The illustration shows a collection of tzedaka boxes from around the world. From left to right – a “pushke” (charity box) from the synagogue of Rogazen, Germany, rescued in 1938; a Ā silver alms box from Austria, 1843; a Magen David Adom box; a Keren Kayemet box; a stone charity box with Ladino inscription from Valencia, Spain,1319; a Jewish National Fund box, circa 1950; a Rav Meir Ba’al haNes box from Israel in the 1960’s; aĀ Ā Hevra Kadisha ceramic jug, Moravia, 1776; a sterling silver charity box, Austria, 1900.

The parashah and the haftarah both deal with giving and creating. If we give with an open heart the gift and the result are beautiful. If we build with beautiful intentions the structure or craft will also be beautiful.

This week’s reading is Vayakhel and describes the workmanship for the Mishkan. The two quotations in the painting below are from the parashah:Ā  “Take from among you an offering of the Lord, whoever is of a willing heart let them bring it…” (35:5)Ā Ā Ā Ā  “And they came, both men and women, as many as were willing of heart.” (35:22) The sparkling watercolour wash behind the quotations represents imagination and spirituality.

Va Yikahel sig
Inspired Workmanship by Laya Crust

In the previous Torah reading, “Ki Tissa,” we read about the sin of “the golden calf”. Just to remind you, Moses ascended Mount Sinai to receive the Ten Commandments from God and bring them down to the Israelites below. When Moses didn’t arrive at the expected time the nation grew worried and anxious, fearing that something bad had happened. They demanded a god, an idol,Ā  to pray to. Breaking off their jewellery they fashioned a golden calf. The nation was punished by God. The golden calf was destroyed, and three thousand men were killed.

In this week’s Torah reading, Moshe invited all the people, whoever was generous of heart, ” נדיב לבו,” to bring forward gold, silver, brass, dyed linen and goats’ hair, wood, oil, spices, and precious gems. All these materials would be used to craft holy objects for the Mishkan. The items to be crafted were listed and described, and the people came forward with all that was requested. The magnificence is described close on the heels of the sin of fashioning the golden calf.Ā 

Phrases like ā€œwise-heartedā€ Ā and ā€œwilling of heartā€ appear 15 times in this parashah. Only wise-hearted and generous individuals could see past the expense and glitter of the materials through to the purpose of prayer and service to God. Those who are wise and generous can understand and facilitate the elevation of spirit.

The painting is based on a  beautiful and timeless illumination from 1299, Perpignan, Aragon. 

Image result for 1299, Perpignan manuscript illumination

The illustrations I made that you see here are part of the collection of Haftarah Scroll paintings in the Haftarah Scroll of Beth David, a synagogue in Toronto. We are currently working on a book that will include all the illustrations, and it will be coming soon!

Have Shabbat Shalom- one full of beauty and joy and giving.

Laya

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Ki Tissa: Heights of Faith

Humanity
From the “Bereisheet Series” by Laya Crust

In this parashah, we read about extremes of faith. Moses received the last of God’s directives while on Mount Sinai. He came down the mountain to the sound and spectacle of the Israelites praying to a golden calf, an idol.  In disgust and anger, Moses destroyed the precious tablets God Himself had written. Soon after there was an interaction between God and Moses where Moses was almost taken to the heavens in terms of spiritual closeness. The parashah ends with another presentation of the Ten Commandments.

This is a profound narrative. The previous Torah portions recounted God’s directions for building a beautiful “Mishkan” (portable sanctuary). The clothing of the Kohanim- the priests- was described in great detail. God was well aware that the Israelite refugees craved extraordinary beauty to help achieve a level of awe and observance.

In this parashah, Moses went up Mount Sinai alone and disappeared behind a column of fire and cloud for 40 days and 40 nights. The people had been warned that Moses would be away for over a month. But like most people, B’nei Yisrael found it hard to believe that their aged leader could survive the dramatic conflagration. So Moses came down to witness singing and dancing around the Golden Calf.

Ki Tissa sig
The Priests of Baal by Laya Crust Illustration for the Haftarah

When Moses disappeared the people decided to create their own beautiful focus of prayer, the Golden Calf. God’s punishment was severe. Three thousand men were killed for the sin.

Moses had devoted his heart and soul to saving B’nei Yisrael from slavery and leading them through the desert. The demands on him were huge – leading them physically, judging them, and negotiating with God on their behalf. He acted as arbitrator time and again between them and God when they transgressed certain orders. Now, as righteous as he was, Moses asked God for something more. He asked to see God.

God put Moses into the cleft of a rock. According to the text (Ex. 33: 22), God protected Moses from seeing His face but allowed Moses to see His back. Moses was a transformed man. The experience took him to the greatest spiritual heights. Thereafter rays of light shone from his face.

This section of Torah is fascinating. It leaves us with a number of thoughts to ponder- the burden Moshe carried and the fact that he waited so long to ask God for greater closeness and identification. The text presents the heights of receiving the word of God on a mountaintop contrasted so quickly by the weakness of His people. This story underlines the fractious yet extraordinary relationship we have with God. Moses couldn’t see God’s face and neither can we, but God encourages us to get closer. God allows those who desire it to get closer through our prayers, meditations, and actions.

My husband, Les Lightstone, mentioned an interesting point. God didn’t show Moshe His “face”. He showed Moshe His back. In the same way, we cannot see what our future will hold or what God may do. We can only see what has happened, look “back ” on it, and learn from our past.

Have a Shabbat Shalom. May it be one of peace, health, and an appreciation of beauty.

Laya

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Tetzaveh: Temple Visions and Garments

Priestly Garments by Laya Crust

This week’s Parashah, Tetzaveh, describes the High Priest’s ceremonial robes. Details of the weavings, the breastplate, the gold bells, and tiny pomegranates fill the imagination with colour and texture.

In the previous Torah reading, Terumah, God outlined all the materials to be donated and collected to build the Mishkan. The Mishkan, a portable place of worship, would be crafted with exquisite textiles, gold, silver, and brass instruments. This week’s haftarah from the Book of Ezekiel also describes a place of prayer.

The prophet Ezekiel, the son of a Cohen, was among the 8,000 Jews to be exiled to Babylon in 597 BCE. He wrote the words of this haftarah while in exile. Ezekiel says that God carries him to the land of Israel and places him on top of a very high mountain where he sees something like the structure of a city. A man, seemingly made of brass, gives Ezekiel a tour of the future Temple.

Titzaveh
Temple Floor Plan by Laya Crust

We read detailed descriptions of each element to be measured and positioned. The illustration above is based on a rendering of Solomon’s Temple from an illumination in an early 12th C. German manuscript. It shows the Temple’s floor plan. All the sacred objects in the floor plan seem to lie on the floor. I used the manuscript drawing because it is so unusual and delightful. It is a charming way for the viewer to see the Temple artifacts. The manuscript is currently in Vienna, Austria in the National Library.

The Jews were miserable. It was the 25th year of their exile in Babylon. God gave Ezekiel an incredible amount of information about the next Temple to share with the Jews. Hearing about the future Temple in Jerusalem, the Jews were optimistic that they would indeed return to their homes. A provision accompanied the details and plans. The Temple would only be restored if the Jews were repentant and corrected their behaviours and observances.

We will fast-forward almost 2,550 years. Under Jordanian rule, Jews were forbidden to pray at the Western Wall from 1948 until 1967. When Israeli forces liberated Jerusalem in 1967, Jews were once again free to go to the Kotel, the only remaining wall of the Second Temple. We don’t have a Third Temple, but we have a unified Jerusalem, and we can pray at the Kotel. This remnant of the Temple should be a place of acceptance and harmony, and it should be a place where all Jews can speak to God in their own way.

As always, let’s pray for peace and harmony.

Shabbat Shalom,

Laya

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Terumah: Giving

Building a Temple by Laya Crust

This week’s blog is in memory of my mother, Dorothy Crust. Devorah bat Mordechai haCohen v’Rachel Leah was a woman imbued with beauty, wisdom, intelligence, and love of Judaism. This week’s parashah deals with building a home for God and introduces the concept of giving with an open heart. My mother z”l gave with an open heart and strengthened the community around her. Her memory is a blessing.

This week’s parashah is called “Terumah”, which means an offering, denoting something set apart as a donation. God says, “Tell the Israelite people to bring Me contributions; you shall accept contributions for Me from every person whose heart so moves him” (Exodus 25:2). The wording is precise, “אשר ידבנו ולבּו”. “Those with a willing heart” are invited to contribute to the building of this important sanctuary. The building materials are to be given with generosity and joy rather than coercion or compulsion (like taxes and levies.)

Up until now, the Children of Israel have been entirely dependent. They were slaves in Egypt, and they did nothing for themselves in the desert. They were given manna, water, and led each step of the way. Finally, the Children of Israel are invited to do something for themselves and God. They step up to contribute energy, creativity, and materials to create a community hub.

In a functioning society, people are responsible for themselves and others. They must come forward to help things run smoothly. People give when they feel they have enough for themselves and enough to share. Whether helping with small tasks or major undertakings the contributor is empowered to share. When giving or sharing, you are forging a link with the person receiving. The recipient, in turn, is strengthened and can give to others.

When God asks B’nei Yisrael to build the Mishkan, He invites them to become partners with Him. God says, “And let them make Me a sanctuary that I may dwell among them.” ועשו לי מקדש ושכנתי ×‘×Ŗ×•×›××ƒ (Exodus 25:8). The words “shikhanti” (I will dwell), “Mishkan,” and “shekhinah” (Divine Presence) all come from the same root word, which is found in the Hebrew words for neighbour, neighbourhood, and dwell. God wants to be a constant presence among the people and knows that human beings need visual reminders and beauty to awaken a joyful soul. “Neighbour” is in the word for God’s holy dwelling, and “neighbour” describes God’s Presence.

The bottom line of God’s message is, “Be involved. Don’t be a spectator.”

In this parashah we see the emergence of a group that is growing into a cohesive community. They will combine their materials and skills to make a mishkan, a sanctuary. God does not live in a building, but rather in the hearts of the builders. As He said, “Let them make Me a Sanctuary that I may dwell among them”Ā (Ex. 25:8).

Have a Shabbat Shalom, Laya

P.S. The painting at the top is based on a ketubah from 1853 Istanbul, Turkey. It shows boats floating on the Bosphorous River. If you want to enlarge the image at the top of the ketubah below, you can click on them.

istanbul ketubah02

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Mishpatim. G-d is in the Details

The sweetness of the Law- Shabbat dessert by Arava and Eleanore Lightstone

G-d gives the Ten Commandments to the Children of Israel in parashat Yitro. The parashah describes the thunder and lightning, the shaking of Mount Sinai, and the fear and trembling of the Israelites. It is a beautiful parashah. This week’s reading, Mishpatim (Laws), is comprised of laws that further define the Ten Commandments.

Judaism gave the world its moral code. The Ten Commandments outline many things from recognizing one G-d, to keeping the Sabbath, to the prohibition of murder, theft, and adultery. The first laws that are discussed in the parashah concern slavery. The Israelites had just been released from Egypt where they had been slaves. Those many years of servitude had been imprinted on their psyche. G-d knew that laws concerning slavery would resonate strongly with the Children of Israel.

The first law offers the possibility of freedom to a slave. ā€œIf you buy a Hebrew servant, he is to serve you for six years. But in the seventh year, he shall go free…ā€ (Ex. 21:2-3). The Israelites are told to empathize with strangers. ā€œDo not mistreat or oppress a stranger, for you were strangers in Egypt.ā€ (Ex. 22:21) and ā€œDo not oppress a stranger; you yourselves know how it feels to be foreigners because you were foreigners in Egypt.” (Ex. 23:9) G-d knows that if a person empathizes with the “other”, with a stranger, that person will show greater understanding and patience to the stranger.

The haftarah for Mishpatim is from the Book of Jeremiah. King Zedekiah had ordered the release of all Jewish slaves, as per G-d’s instruction. Two years later the owners re-inter their slaves. G-d tells Jeremiah that since the owners have re-enslaved their servants they will be punished. Slavery did not end in Jeremiah’s time as we know.

oneworldeducation.org

It has continued throughout history, even to the present day. Modern slavery exists in the notorious sweatshops in China, with the chained children in India who weave carpets, prostitution rings, and collapsed garment factories. Jews, too, have been the victims of modern slavery.

Freeing the Slave by Laya Crust

The slave conditions of sweatshop workers in the ā€œshmattehā€ business are well documented.  In the 19th and 20th centuries, young immigrants from Europe were put to work in dangerous conditions. The hours were long, the pay was miserly, and the workers would be locked in so they couldn’t take breaks for lunch or supper, or meet with union leaders to organize. Although the workers were not ā€œowned ā€œby their employers as they were in biblical times- they were owned by their employers in terms of their lives.

My illustration for Mishpatim shows the infamous fire in 1911 at New York City’s Triangle Shirtwaist Company. It killed 146 young sweatshop workers; most of whom were Jewish immigrant girls aged 16 – 23. The image of the workers is based on a photograph of the young women and men striking, trying to get better working conditions.

May Day Parade, 1909

Rose Schneiderman and Clara Lemlich were two of the Jewish women who organized the women’s garment unions. Jews have been union organizers throughout time and throughout the world. Just as G-d commanded us not to enslave and torture others, Jews have fought throughout history for human and employee rights. Human dignity, respecting other people, and treating all humans as equals are concepts central to Judaism. We are a people who believe in justice and freedom and will continue to work for it and fight for it. Our stubbornness in this particular arena is a stubbornness we can all be proud of.

Read this week’s parashah and haftarah. Notice the righteousness. Notice the details. G-d is in them.

Have a Shabbat Shalom, Laya

“Five Thousand Years of Slavery” by Marjorie Gann and Janet Willen gives a thorough history of world slavery with fascinating photographs and reprinted documents. It is a great educational tool for home or school.

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BeShalach-Shabbat Shira

B'Shalach
Miriam’s Song by Laya Crust

This week’s Torah reading, Beshalach, is called Shabbat Shira- the Shabbat of Song. We read three songs-  Miriam’s song after crossing the Red Sea, Moshe’s “Song of the Sea,” and Devorah’s song of victory. Women sing and play music in both the Torah and haftarah readings, and they are also significant figures in these biblical stories.

Before focusing on our heroines, Miriam, Devorah, and Yael, I will mention some elements from this week’s parashah. The Israelites have fled Egypt, but Pharaoh and his army are in quick pursuit. God splits the Red Sea so the Israelites can cross to the other side. We read about the manna that appears to feed the hungry people. God introduces the notion of “Shabbat” by sending two portions of manna on the sixth day so that everyone can refrain from collecting food on the seventh day, Moses sweetens the water in this parashah and we read about the battle with the Amalekites.

Miriam is called a prophet in this parashah. She and her brothers, Moses and Aaron, lead b’nei Yisrael to freedom. God has confidence in the abilities and wisdom of women and chose Miriam to be the female role model for the nation. She exemplified strength and leadership. After crossing the Red Sea, Miriam led the women, celebrating with song and dance.

h shabbat shira

Devorah the Prophet by Laya Crust

 Devorah was a judge and prophet who led the Israelites for 40 years. She sat under a palm tree to meet with her people. The haftarah tells of a battle waged by the Canaanites against the Israelites. The Jewish commander, Barak, asks Devorah to lead the battle with him. She warns Barak that a woman will be credited with the victory if she goes, but he still insists on her help.

Yael Killing Sisera Maciejowski Bible, ca 1240

Yael, the other significant woman in the haftarah, is not a Jew but a Kenite. After the battle, Sisera, a general, flees from the Jews, seeking refuge with Yael. She gives him warm milk to drink, covers him with a blanket, then drives a tent peg through his temple, killing him. The haftarah is unusual in that it features two women- Devorah and Yael- as heroic characters.

Devorah writes a song of praise, mentioning herself as a mother of Israel, Barak as a leader, and Yael as a heroine. The end of the song is powerful. Devorah describes Sisera’s mother waiting at the window for her triumphant son to return home from battle. Devorah sings, “…The mother of Sisera…moaned…’Why is his chariot so long in coming? Why are the hoofbeats of his steeds so tardy? …Have they not found spoils and treasure? Have they not divided the prey; to every man a damsel or two; to Sisera many kinds of plunder…?”. Devorah describes the scene- a mother waiting for her son- all the while knowing Sisera has been murdered. The mother’s pride that her son has successfully killed, looted, and abducted the Israelites is disquieting.

The women in the parashah and haftarah show strength and leadership. God chose Miriam to be one of the three leaders of the children of Israel as they trekked towards freedom. God appointed Devorah and later Hulda as prophets and made Yael a hero.

Women may not be mentioned in our writings as often as men, but women were essential leaders and educators then, as women are today. Let’s work in strength and harmony, and sing in harmony too!

Have a joyous and tuneful Shabbat,

Laya

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Bo, The Stand-off

Bo sig

Haftarah:  Jeremiah 46: 13-28

This week’s haftarah is from the Book of Jeremiah. Jeremiah lived most of his life in Israel, witnessing both sieges of Jerusalem (597 and 586). In this haftarah, after the fall of the First Temple, he warned the Children of Israel not to ally themselves with Egypt. He prophesied that Egypt would fall to the Babylonians.

In the illustration Egypt {Pharaoh) is being confronted by Jeremiah (Moses). The images Jeremiah uses in his warnings about Egypt are painted in the background. The heifer, gadflies, serpent, locusts, and trees that will be cut down have been painted to look like an Egyptian wall painting. The images the prophet used echo the plagues visited upon the Egyptians in parsahat Bo.

The Egyptians had already experienced 7 plagues. Some were unpleasantly uncomfortable (being overrun with frogs) and some were devastating (pestilence killing the cattle and hail destroying crops). In this week’s parashah, Moshe warned Pharaoh that if he didn’t free the children of Israel there would be even more dire consequences. Three more plagues were to be visited upon the Egyptians. Pharaoh lost patience with Moses. After the plagues of locusts and darkness, he wanted the threats to stop. Bombastically, he proclaimed, “Depart from me, take heed of yourself. Make sure never to see my face again. For on the day you see my face you will die.”  (Exodus 10:28) Moses answered, “You have spoken well. I will not see your face again.” Pharaoh’s threat was answered. He did not ever see Moses’ face again.

Pharaoh had been given opportunities to let the Israelites leave. His pride would not allow Moses to threaten him or speak of a Gd more powerful than he. Pharaoh threatened Moses with death. He would never see Moses again, but he paid a horrific price. His eldest son- and the eldest of all Egyptian families would die. Pharaoh’s decree not to see Moshe’s face again had negative implications and terrible results.

Rabbi Ari Kahn, a rabbi in Israel, points out that children are the focus of the Exodus narrative. Our all-powerful Gd could have freed the Israelites from Egyptian slavery with little pain and fuss. For instance, the plague of darkness immobilized the Egyptians for three days while the Israelites had light. Moses could have led Gd’s people out of Egypt and across the Red Sea without their oppressors even knowing what was happening. Why the elaborate choreography of the plagues?

The cries of pain began with overwork and Pharaoh’s decree to kill newborn Jewish babies. Midwives and mothers risked their own lives to save the babies. The lives of children are precious to Jews. In this parashah Gd tells Moses that our children may forget the story of Egypt, slavery, and deliverance. The seder itself will be the reminder. That reminder will ensure our children’s education and the continuity of our people.

We are told to remember the stranger because we were strangers. We are reminded to remember our past and learn from it. We live in challenging times and hopefully if we remember to be kind to those around us we will get through this period without too many bruises.

Shabbat Shalom, Laya

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Va’Eira, Brotherhood

Confronting Egypt by Laya Crust

This week’s Torah portion presents the first wave of plagues against Pharaoh and the Egyptians. At the beginning of the Torah reading, Gd talks to Moses tracing His relationship back to Abraham, Isaac, and Jacob. Gd points out to Moshe that He is more open to Moshe than He had been to his forefathers. This link between Moshe and Gd allows Moshe to fully act as an agent of redemption and miracles.

There are parallels and contrasts between the Book of Genesis and the Book of Exodus. The most glaring contrast is the role of family in the two books. There are many stories of brothers and their relationships with each other. Sibling relationships in the Book of Genesis are fractious, but in the Book of Exodus (Shemot), there is family unity.

Cain murders his brother Abel. Isaac is kept away from his half-brother, Ishmael. Jacob and Esau have a relationship founded on deceit.

Family Dynamics by Laya Crust

The other story we all know is the jealousy of Jacob’s 10 sons toward his favourite child, Joseph.

A Grievous Sin by Laya crust

At first, they plan to kill Joseph but then soften their stance and merely sell him into slavery. Of course, slavery was probably a death sentence.

That is the family dynamic in the history of the fledgling Jewish nation. Abraham was selected to lead a new people who would follow Gd’s laws and ethics. The story we read in Va’Era, this week’s parashah, is about Abraham’s descendants enslaved in Egypt, but with a change in that family dynamic.

We are introduced to Moshe, a man who risks everything to save his brethren. He is not jealous or arrogant and welcomes his brother Aaron as an equal. Aaron, three years older than Moshe, takes the lesser role, allowing his younger brother to lead the way. The two men accept Gd’s direction. Their partnership allows them to stand before the ruler of Egypt and free their brethren. Miriam is Moshe and Aaron’s sister. She is the sister who risked everything to save her baby brother Moshe from certain death. Later Miriam joins her brothers and becomes a leader of the people in her own right.

It is a beautiful contrast to the painful relationships in the Book of Genesis. It is a lesson that if we act as caring partners, and work in cooperation for the good of the community/ city/ country/ world, we can make monumental changes for freedom and equality.

Shabbat Shalom,

Laya

The illustrations you have seen in this post are part of the upcoming book “ILLUMINATIONS”. Stay tuned for the 2022 publication!

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